当我碰巧遇见一些旋律，一些不经意就流淌过的旋律，但却值得我去再次寻觅，

舒曼的《梦幻》、巴赫的《平均律》……何止旋律是这样，《Dancer in the Dark》就是淡淡了，淡到我可能不会再去看一遍。

淡，想必应该符合"旋律面积论"吧。

When I was met by some melody, which was so thin that it could easily pass by but worth my re-seeking,

Not just Schumann, or Bach, but also some films, like Dancer in the Dark.

Thinness, which I think is in accordance with Melody Area Theory.