/* define a function to check whether something is the Deeply Emotion or not. */
/* "something" here is a keyword of data type, like "int", "double", etc, whose data can be a certain melody, dance, etc. */ 

typedef something sth;

/* declare the function */
int IsDeeplyEmotion(sth ); 

int main()
{
       /* do the main function */
       /* ... */
       return 0;
} 

/* define the function */
int IsDeeplyEmotion(sth artPart)
{
       /* 1 means TRUE, while 0 means FALSE. */
       return (whatever happened, can artPart catch my attention, contorl my feeling, into which I long for putting my spirit?)
               ? 1 : 0;
}

如此，如果仔细地回忆，那首小步舞曲应该是最早的旋律了吧——"当我们大家唱起来，当我们大家唱起来……"，电影《霍兰德先生的乐章》里也出现过这段旋律，而就是这部电影，让我知道了Bach不是巴赫，有了"J.S."才是巴赫。

后来麦克菲林让我知道了《G弦上的咏叹调》，一段由巴赫作品1068号乐队组曲改编而成的单弦演奏的旋律。麦克菲林哼唱的版本也是我最喜欢的版本，近乎纯洁的旋律，持续着……

我记不清到底是原版的平均律第一首让我感动，还是百年之后的法国作曲家古诺在此基础上改写而成的《圣母颂》，这无关紧要。不过我很喜欢兰多芙斯卡弹奏的平均律，虽然不是很熟悉大键琴的音色。

这两天尝试巴赫的《哥德堡变奏曲》、《勃兰登堡协奏曲》，第一次接触，尽管如此，依然有收获：

《哥德堡变奏曲》的变奏曲1、《勃兰登堡协奏曲》协奏曲1号第3乐章。

If so, if thinking, the melody like "When we are singing… "is earliest melody with deeply emotion. The film, Mr. Holland's Opus, also have the melody, which made me know that Bach is not Bach until added "J.S.".

Thanks to McFerrin, a man whose voice is perfect made me know Aria On the G String, a tune changed from the Orchestra Suite No.3 in D Major BWV 1068. McFerrin produced the melody I preferred to, retaining the pitch over a long period of time, an enjoyable time.

I cannot tell myself whose edition moved me, the original Well Tempered Clavier Prelude in C major, or the Ave Maria by Charles Francois Gounod (1818-1893), a French composer, it doesn't matter.  And I like the edition from Wanda Landowska.

The Goldberg Variations and the Brandenburg Concertos, they are new for me. However, I found what worth remembering:

Goldberg Variations (Goldberg Variationen) – Variation 1;

Brandenburg Concertos (Brandenburgische Konzertes) No.1 in F major BWV 1046, movement 3 Allegro.

正如我曾经说过的那样，40交响曲的旋律被流行元素引用过了，让我很长一段时间不愿去感受这部交响曲，我怕失望，尽管先前的古典课我听过穆蒂指挥的版本，可那次我却只注意到穆迪的潇洒。

但我却找到了伯恩斯坦指挥维也纳爱乐乐团的版本，没了穆迪德潇洒，于是我试着去寻找旋律。

然后我不得不承认我恋上了第一乐章，而这第一乐章的一段旋律正式被那流行元素引用过的。

没了一些幽默，一些童真，主题开始不安了，情绪对比着……

As what I said, I have decided to refuse the No 40 symphony of Mozart, whose melody was quoted by a pop element, although I have seen the Muti's edition, but his nuttiness took my lots of attention.

Then the edition, Bernstein conducted VPO, lacking the nuttiness, made me to seek melody.

And I have to say that I fell into the 1^st movement, which was quoted by that pop element.

No humor, no children, un-balance…