知道并想了解舒曼的这部A小调钢协是因为偶然翻了几页《琴恋: 钢琴夫人史兰倩丝卡青春回忆录》。

最近的收集的版本是来自Byron Janis演奏，今天突然发现很早自己就收集到了Krystian Zimerman和Karajan合作的版本，一直在听，却难以形容，如果是重复的旋律，或许一定是美的；倘若不是重复的，那么总有一些等待发现。

The sources where I knew and wanted to find this Piano Concerto was form few pages reading of Slenczynska's Biography.

After my hard seeking, finally, I found the edition of Byron Janis, although I just knew I have had the one of Zimerman and Karajan.

May be nice if the melody is repeated and will be nice if not.

当我碰巧遇见一些旋律，一些不经意就流淌过的旋律，但却值得我去再次寻觅，

舒曼的《梦幻》、巴赫的《平均律》……何止旋律是这样，《Dancer in the Dark》就是淡淡了，淡到我可能不会再去看一遍。

淡，想必应该符合"旋律面积论"吧。

When I was met by some melody, which was so thin that it could easily pass by but worth my re-seeking,

Not just Schumann, or Bach, but also some films, like Dancer in the Dark.

Thinness, which I think is in accordance with Melody Area Theory.